Canon EOS C300 + EF 24-105mm L IS USM KIT 35mm Cinema Camera camcorder digitalna videokamera i objektiv (5779B023)

ZNAČAJKE:

Super 35mm-Size CMOS Sensor
EF Lens Mount to Accept Cinema Lenses
Canon XF Codec - 4:2:2 50 Mb/s MPEG-2
1920 x 1080i60 & True 24p Recording
Rotating 4", 1.23 Mp LCD Monitor
HD-SDI Output, XLR Inputs
Dual CF Card Slots
Timecode I/O, Genlock In & Sync Out
Canon Log Gamma
Modular Design: Removable Grip & Monitor

he Canon Cinema EOS C300 EF Camcorder Body with a EF mount takes what professionals love about DSLR filmmaking – access to a vast selection of widely available lenses, a large sensor that facilitates a shallow depth of field, and portable operation with a modular, compact camera – and addresses its shortcomings. That means that unlike DSLR cameras, this Cinema EOS camcorder is designed both inside and out for professional cinematographers capturing motion pictures that will stand up to rigorous post-production processes.

As its name suggests, the EOS C300 EF features a EF mount for compatibility not only with a broad range of compatible cine lenses from manufacturers like Angenieux and Zeiss, but also with Canon's burgeoning line of EF Cinema lenses for EF mount. These lenses are designed to match up perfectly with the 3-perf Super 35mm-size CMOS sensor that Canon developed for this camera. Like the camcorder, these lenses (sold separately) were developed specifically for digital cinema, with engraved markings on angled surfaces in meters and feet and uniform front diameters for easy lens switching without having to reconfigure a matte box or follow focus gearing.

The Canon Super 35mm sensor is paired with the Canon DIGIC III image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. Recording HD formats to CompactFlash cards as Canon's XF codec – at the highest level a 50 Mb/s, 4:2:2 MPEG-2 format – the C300 PL records motion video that reduces the jagged edges and Moiré patterns that can plague video with 4:2:0 chroma subsampling and lead to post-production challenges.

Moreover, the files' MXF file wrapper brings together video, audio, metadata, and timecode in a package that enjoys robust support from all professional NLE programs. The EOS C300 EF is designed to capture footage that thrives in the post-production suite. To that same end, the camera also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and a greatly expanded dynamic range.

The exterior of the camera is as unique as its innards. Featuring the expected HD-SDI output, timecode I/O, and genlock input BNCs, the body is a modular creature that can either be stripped down completely, or be built up to host the included handle, 4" rotating LCD unit with full controls, grip, and thumb rest. With accessible, assignable buttons laid out in an ergonomic fashion, the C300 EF is physically designed not for still photography but for the craft of digital cinema.

Canon Super 35mm CMOS Sensor
Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It uses 3840 x 2160 photosites to perform the crucial optoelectronic transformation of digital imaging. Each photosite is a generous 6.4 x 6.4 micrometers in area, and each has a microlens that ensures the highest efficiency in light transfer to the individual photodiode. Proprietary technologies within the photosite simultaneously lower the image sensor noise floor while enhancing the photon capacity of the photodiode – a combination that assures superb dynamic range. The image sensor employs an innovative readout technique that delivers full-bandwidth individual RGB video components without the need for any de-Bayering algorithms. Each of these components has a 1920 x 1080 sampling structure at up to 60 frames. From these original video components, a 1080-line 60i format or a 1280 x 720 at 60p HD format are selectively derived
Wide Dynamic Range
The EOS C300 EF incorporates the first Canon CMOS sensor designed specifically for high-frame-rate motion pictures, offering not only high resolution and shallow depth of field but also high sensitivity with low noise. Working together, Canon's Super 35mm sensor and DIGIC DV III Image Processor achieve a remarkably high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light
Canon Log Gamma
Shooting in Canon Log mode, cinematographers can set the camera exposure value using their customary light meter practices. Canon Log is a special nonlinear transfer function embodied within the DIGIC DV III RGB video processing system. This transfer function is specifically designed to facilitate the post-production of digital images originating in Cinema EOS in a manner similar to the post-production of images digitally transferred from motion picture film (the contemporary DI process). By managing the disposition of quantization bits, Canon Log ensures excellent tonal reproduction within both highlight and low-light regions of a given digital image, maintaining a total dynamic range of 800%. These sophisticated video grading processes restructure a new digital representation achieving a sought-after creative look on a quality reference display
High Image Quality Benefits Post-Production
Whether showing dailies to producers or beginning the edit process, professionals demand images of the highest quality – pictures that look great and hold up during post-production. Canon developed this camera's sensor to capture images with a wide pixel pitch for detailed, low-noise blacks and impressive dynamic latitude even at higher sensitivities. The EOS C300 EF can also record different frame rates, including 23.98, true 24.00 if you're also shooting with a film camera, plus 25p/50i and 30p/60i. Capturing high-quality images ready for post, the EOS C300 EF benefits everyone involved in the cinematic process, from capture to post
Low Light/High ISO Ability
A dark and stormy night? With the EOS C300 EF, it's no problem. The combination of sensor and image processor render an extraordinary signal-to-noise ratio and as such make shooting at high ISO (up to ISO 80,000) a breeze
Reduced Rolling Shutter and Moiré Artifacting
The EOS C300 EF uses enhanced signal processing to minimize rolling shutter skews and to reduce moiré artifacts. A high-speed readout significantly reduces the subjective visibility of the vertical skewing on fast-moving horizontal subjects, a typical pitfall of the CMOS image sensor that's neutralized by Canon technology
Canon DIGIC DV III Image Processor
Designed and built by Canon for the highest HD RGB processing, the DIGIC DV III Image Processor uses proprietary circuits and architecture to deliver the highest image quality at the highest speeds, with low power consumption and minimal heat output. It processes the RGB representations that originate in the single CMOS sensor of the camera into three channels (Red, Blue and Green) to maintain the rich resolution and clean color fidelity formerly possible only in three-chip sensor designs
XF Codec Image Quality
To create digital files robust enough for major post-production, the EOS C300 PL delivers the highest image quality with its XF Codec – the same codec used by other Canon XF professional camcorders. With 4:2:2 color sampling, image files have double the vertical resolution of color components created with 4:2:0 color sampling, minimizing jagged edges between red and blue and ensuring ample quality for chroma key compositing with green screens. Thanks to the Canon XF Codec and the EOS C300 EF's superior resolution, original color quality and cinematic look will hold up through post-production – with results that meet or exceed the filmmaker's expectations
Canon EOS C300 EF with EF-Lens Mount
Designed to integrate into existing production setups, the EOS C300 EF is fully compatible with a wide variety of industry-standard EF-mount lenses, ensuring it will work seamlessly with trusted optics already in the filmmaker's possession. Compatibility with Canon's existing EF mount lenses means filmmakers can take advantage of the new optical designs Canon has developed for the cinema market
Canon EF Cinema Lenses, Available in PL Mount
Don't let the name fool you: Some Canon EF Cinema lenses (sold separately) are available in both PL and EF configurations. They're designed and engineered to meet or exceed the exacting standards of working professionals. Every Canon EF Cinema lens is designed to fulfill contemporary 4K production standards, surpassing the performance requirements of any HD imaging system. Zoom lenses feature large aspherical lens elements to achieve sharp, consistent images in every shooting situation. Geared inner focusing minimizes focus-induced changes in the angle of view, rendering focus breathing virtually zero. The 11-blade aperture diaphragms ensure smooth out-of-focus areas and beautiful bokeh – and innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. EF Cinema lenses provide markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or either side of the camera. Focus markings can be switched from standard labeling to metric. Control rings are designed to maintain the proper amount of resistance with consistent operating torque. EF Cinema lenses share uniform gear position, diameter and rotation angle as well as front lens diameters, enabling the film crew to quickly change to another Canon zoom or prime lens or compatible third-party accessories like matte boxes and rods without adjustments
Canon EF Cinema Zoom Lenses
Canon's Cinema EF Zoom lenses (sold separately) offer unrivaled optical performance for demanding high-end productions, available in both EF- and PL-mount configurations. With fluorite, aspherical lens elements and advanced optical design, these unequalled Cinema EF Zoom lenses are capable of 4K-level image reproduction. For the C300 PL< the wide-angle CN-E14.5-60mm T2.6 L SP provides tremendous breadth of range; the telephoto CN-E30-300mm T2.95-3.7 L SP rivals best-in-class zoom magnification and telephoto focal length. Together these lenses cover the range most commonly used in cinema shooting
Designed with Filmmakers in Mind
With everything a cinematographer needs, the EOS C300 EF comes ready to produce. A logical layout of buttons and dials make operation simple. A lock switch turns off all controls except the recording button and function buttons. Small ridges between the buttons help prevent activating functions by mistake. A backlit display panel is great for low-light viewing. A tally lamp is clearly visible from the side or behind the camera
Compact and Modular Design
The EOS C300 EF body is surprisingly small (5.24 x 7.0 x 6.7") and easily handheld at just over 3 lb. There is a bright 1.55 Mp electronic viewfinder, and the camera comes bundled with a removable combination 4", 1.23 Mp monitor and control panel. The camera also has a removable hand grip with a control dial and function buttons for handheld shooting in DSLR style. Or remove it and use the supplied thumb rest for completely stripped-down shooting. The EOS C300 EF has a manually operated built-in neutral density (ND) glass filter offering 1/4, 1/16, and 1/64th steps of filtering. Handheld or using a tripod, on location or in the studio, even on 3-D rigs, the EOS C300 EF fits shooting situations that are challenging for larger cameras
Rugged, Durable, and Quiet
The EOS C300 EF's dust-proof and splash-proof design includes sealing gaskets around the edges of all access covers, dials fitted with o-rings on the axis of rotation, and button key-tops sealed with rubber. The EOS C300 EF also features a built-in silent cooling system with a heat-dissipating duct in the center of the body, a graphite sheet that conducts sensor heat towards the heat sink, three ventilation holes and a cooling fan that pulls hot air out through an exhaust opening. All air is directed through a discrete pathway that keeps dust particles away from sensitive components. Your camera runs cool, quiet, and clean
Comfortable Ergonomic Controls
The moment you pick up the EOS C300 EF, you'll feel right at home. The detachable grip rotates 360° in 15-degree increments so the start/stop, iris control and multi-controller buttons are always literally at your fingertips. Four separate start/stop buttons and 15 other customizable buttons distributed over the camera body mean quiet and intuitive access. Large dials positioned in two places can be customized for different functions and are easy to operate from all angles. The viewfinder tilts up to a convenient 60° angle. The 4" control panel and 1.23 megapixel monitor rotates 135° left/right or 270° down – and can be mounted directly on the camera body or the handle unit. Top, behind, from either side, on either shoulder: the EOS C300 PL operates from any angle
Pre Rec for Shooting in a Single Take
For situations where there is no second take and action shoots where things can happen with little warning, the EOS C300 PL's Pre Rec feature continually records approximately three seconds of full-motion imaging to buffer memory. When you press the record button, these seconds are automatically added to the shot – and you'll have a welcome margin of insurance to capture the unexpected
Ultra-High-Resolution EVF
The EOS C300 EF features a 0.52", 1.55 Mp color EVF and approximately 100% field of view coverage for comfortable viewing and accurate judgment of composition, focus, and color. The angle of the viewfinder is adjustable for additional user comfort
Rich Audio Controls
When mounted to the EOS C300 camera, the included control unit provides two XLR audio inputs with +48V phantom power. A 3.5mm microphone terminal is also built in to the camera. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Both XLR inputs, as well as the mic terminal have the option for automatic, as well as full manual gain control (-Infinity to +18dB). Additionally, a 3.5mm headphone terminal with 16 volume settings offers accurate audio monitoring
Accommodating File-Based Production
The Cinema EOS system creates files in the internationally standardized Material eXchange Format (MXF), wrapping video and audio with metadata in a single file that maintains access to critical information throughout the production process. The EOS C300 and EOS C300 EF record to inexpensive and easy-to-find CF cards in dual card slots, giving you unlimited hot-swappable storage on reliable solid-state media. And for industry-standard peripherals, the EOS C300 PL has all the right terminals: remote (2.5mm), sync out (BNC), HDMI type A out, genlock (BNC), timecode (BNC), HD/SDI (BNC), headphone, SD card, DC input socket, plus mic and XLR connectors (CH1 & CH2) when using the included Canon monitor/controller unit. The camera also includes a dedicated connection port for the optional Canon Wireless File Transfer WFT-E6A unit (sold separately)
Perfect for Mixed-Shoot Editing
The tremendous dynamic range of the EOS C300 EF with Canon Log gamma can be easily converted to industry-standard 10-bit Cineon (.cin) Log format which assures smooth integration with industry-standard post workflow and finishing. The EOS C300 EF's 24.00p mode matches the exact frame rates of film cameras, so there's no need for time-consuming frame-rate conversion. And you'll have plug-ins for leading NLE systems from Adobe, Apple, Avid, and Grass Valley. Whether your entire production is digital or your EOS C300 EF is used as an A, B, or C camera on a primarily film-based shoot, the integrity of your image and sound is assured through the editing process – and beyond
CF Memory Card Recording
For versatility and reliability, the EOS C300 EF's recording and terminal specifications are completely compatible with the prevailing industry standards. It records to CF cards through dual slots. From a cost and reliability standpoint, CF cards have no equal. Solid state, hot-swappable, and easy to find, two 32 GB CF cards can hold 2 hours of 4:2:2 50 Mb/s footage. It's even possible to record to two CF cards simultaneously, relay-record for uninterrupted shots, and copy from one card to another
Custom Pictures
To achieve the look and feel you want in less time during post-production, the EOS C300 EF has 26 different Custom Picture settings. Custom Pictures can include different image quality adjustments, including gamma, knee, color matrix, sharpness, noise reduction, and more. Settings can be created in-camera and saved to the EOS C300 EF or to an SD card for transfer to other cameras. A number of natural color settings are included with the EOS C300 EF; others include Cinema setting for post-production and EOS setting to match images captured by a Canon EOS DSLR
Black Balance Adjustment
In ambient conditions that cause the black in the video signal to shift out of alignment, the EOS C300 EF's black balance can be easily adjusted to bring it back. A simple process with the lens cap on the camera, black balance adjustment is especially useful the first time you use the EOS C300 EF, when your camera has been on the shelf for an extended period, when you'll be shooting in a wide range of temperatures, or when the ISO sensitivity or gain settings have been changed
Multiple Recording Formats & Advanced Recording
With the realities of production in mind, the EOS C300 EF can record in a number of different modes, resolutions and frame rates, delivering quality recordings perfect for any application. 24.00p mode matches the exact frame rates of film cameras, so there's no need for time-consuming frame-rate conversion. And the camera can shoot in both PAL and NTSC modes at 50 Mb/s (CBR), 35 Mb/s (VBR), and 25 Mb/s (CBR) with a range of settings for resolution, color, frame rate, and recording time. Whether shooting with the expectation of significant editing and post-production, recording for compatibility with HDV editing, or simply creating the longest possible HD video files, the EOS C300 EF camera will perform flawlessly
High-Speed, Slow-Motion, Time-Lapse & Stop-Motion
Beyond the advantages of file-based recording, the EOS C300 PL offers a number of creative possibilities in post-production. By capturing fewer frames per second, the camera can transform normal action into intense high-speed motion up to 60x. By capturing more frames per second, the camera can slow down motion to 1/2.5x at 720p. The EOS C300 EF can also be programmed to record a set number of frames at defined intervals for amazing time-lapse photography – and a frame-recording feature is perfect for stop-frame animation
Connectivity
To connect to external monitors, switchers, VTRs, and NLE systems with SDI inputs, the EOS C300 PL features industry-standard HD-SDI output, genlock, and timecode terminals, plus audio terminals with Linear PCM recording. Timecode and genlock enable synchronized multiple camera capture, perfect for multiple-camera shots, 3D acquisition, and more. The HD-SDI sync terminal can be switched to output to HD Sync, HD Y, Black Burst, and Composite
Full Manual Control & Focusing Aids
Providing cinematographers with everything they need in the palms of their hands, the EOS C300 EF comes ready to produce. The camera has a Waveform Monitor (WFM) function that shows the overall brightness of a scene, with RGB Parade Display to view red, green, and blue brightness or Spot Display to isolate the luminance distribution of a chosen area. The Vectorscope (VS) display shows real-time hue and saturation levels. For sharp focus, the EOS C300 EF camera has two peaking modes and a magnified focus assist function. An Edge Monitor Focus Assist provides both a waveform representing the overall degree of focus and a red waveform that represents focus in three specific areas displayed on the camera's 4" LCD monitor. To maintain proper highlight exposure, it offers a zebra bar feature as well. It's all in the camera
WFT Wireless Remote Control over Wi-Fi
Offering a new level of mobility, the Canon Wireless File Transmitter WFT-E6A (sold separately) opens up a world of wireless options to the EOS filmmaker. The EOS C300 EF camera comes preconfigured so that camera settings can be viewed and controlled on third-party devices with web browsers, including computers, smartphones and tablets without the need for additional in-camera software. With the WFT-E6A module, the camera can be controlled from up to 150' away over an 802.11a/b/g/n wireless network. The WFT-E6A enables superior camera control: users can start and stop recording; adjust focus, white balance, gain, and other parameters; and adjust the aperture of Canon EF lenses. This offers huge potential for specialty applications where cameras must be controlled remotely such as nature documentaries or reality TV. It also enables input marking for metadata and offers a live view of the composition. It supports incorporating GPS information into the file metadata, which is useful for general cinematic applications and essential for expedition filmmakers. A basic window mode even enables use with the Apple iPhone, iPod Touch, and iPad, as well as with handheld devices employing the Android operating system

Canon 24-105mm F/4.0

EF-Mount Lens/Full-Frame Format
Aperture Range: f/4 to f/22
One Super UD Element
Three Aspherical Elements
Optical Image Stabilization
Super Spectra Coating
Ring-Type Ultrasonic Motor AF System
Optical Image Stabilizer
Weather-Sealed Construction
Rounded 8-Blade Diaphragm

A versatile one-lens solution for many shooting situations, the EF 24-105mm f/4L IS USM Lens is a Canon L-series zoom spanning a useful wide-angle to short-telephoto range and featuring a constant f/4 maximum aperture. Complementing the flexible design is an advanced optical layout that includes one Super UD element, which reduces color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity.

Balancing the refined optics, this 24-105mm f/4 also sports a ring-type USM and internal focusing mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. A four-stop-effective Image Stabilizer is also used to minimize the appearance of camera shake for sharper handheld shooting. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.

Standard zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 38.4-168mm equivalent focal length range.
Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range.
One Super Ultra-Low Dispersion element reduces color fringing and chromatic aberrations for high clarity and color fidelity.
Three aspherical elements minimize spherical aberrations and distortions for improved sharpness and accurate rendering.
Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to four shutter speed stops to better enable working in low-light conditions and with slower shutter speeds.
A ring-type Ultrasonic Motor (USM), along with an internal focusing design, optimized focusing algorithms, and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.

SPECIFIKACIJE:

Canon EOS C300

Image Sensor 1x CMOS sensor, equivalent to 3-perf Super 35mm
24.6 x 13.8mm effective size (6.4 x 6.4µm pixel pitch)
Effective Pixels Approx. 8.29 Mp (3840 x 2160)
Total Pixels Approx. 9.84 Mp (4206 x 2340)
Scanning System Progressive
Filter RGB primary color filter (Bayer array)
DSP DIGIC DV III
Lens Mount PL
LCD Screen 4" diagonal, 1.23 megapixel color 16:9 rotatable LCD
100% field of view
Adjust brightness, contrast, color, sharpness, and backlight (normal or bright)
A total of 27 display functions can be turned on and off
Viewfinder 0.52" diagonal, color 16:9 LCD, 1,555,000 dots
+2.0 to -5.5 diopter eye adjustment
100% field of view
Viewing angle can be adjusted up and down 60°
A total of 27 display functions can be turned on and off
Signal System NTSC/PAL
Compression 8-bit MPEG-2 Long GOP (Canon XF codec)
Color Space 4:2:2 at 50 Mb/s recording
File Format MXF (OP-1a)
Recording Formats 50 Mb/s (CBR) 4:2:2 422P@HL
1920 x 1080: 59.94i/29.97p/23.98p; 50i/25p; true 24p (24.00)
1280 x 720: 59.94p/29.97p/23.98p; 50p/25p; true 24p (24.00)
35 Mb/s (VBR) 4:2:0 MP@HL
1920 x 1080: 59.94i/29.97p/23.98p; 50i/25p
1280 x 720: 59.94p/29.97p/23.98p; 50p/25p

25 Mb/s (CBR) 4:2:0 MP@H14
1440 x 1080: 59.94i/29.97p/23.98p; 50i/25p

Recording Media CF Card (Type 1 Only): 2x slots (Movie files); UDMA supported
SD Card: 1x slot: still images, custom picture data, clip metadata, and menu settings
Recording Time With 64 GB CompactFlash (CF) card (greater capacity is possible when both card slots are used):
25 Mb/s: 310 min
35 Mb/s: 225 min
50 Mb/s: 160 min
Up to 999 clips can be recorded per card

Audio Recording Linear PCM; 2-channel; 16-bit; 48 kHz
Built-In Microphone None
Audio Inputs 2x XLR inputs (auto and manual level settings), switchable between mic/line
-12, -6, 0, or +12 dB XLR trimming
1x 3.5mm mic jack
Channel Selection 2-channel recording
Recording Levels -? to +18dB
Phantom Power Available: +48V
Headphone Output Level 16 settings; volume is muted at lowest setting
Tone 1 KHz tone available; -12, -18, or -20 dB
Focusing System Manual; autofocus system not available
Exposure Modes Manual
Gain Manual: Normal setting -6 dB to 30 dB
Shutter Modes OFF, Speed, Angle, Slow Shutter, Clear Scan
Shutter Speed 59.94i/59.94p: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15, 1/30; CS: 59.94-250.70 Hz
29.97p: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15; CS: 29.97-250.70 Hz
23.98p/24p: 1/24 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.97-250.70 Hz
50i/50p: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00-250.70 Hz
25p: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00-250.70 Hz
Shutter Angle 59.94i/59.94p: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
29.97p: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25
23.98p/24p: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25
50i/50p: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
25p: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25
ISO Range 320 to 80,000, 1-stop or 1/3-stop
Built-in ND Filter Mechanical ND filter system with option of clear or 2, 4, or 6 stops
White Balance Auto, manual, 2 custom (2000-15,000K in 100K increments), daylight (5400K), tungsten (3200K)
Exposure & Focus Aids Peaking (2 types), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode
Playback Index Displays: Index Display, Normal, "OK Mark" Index, "Check Mark" Index, "Shot Mark" Index, Expand Index, Photo Index
Clip Playback: Forward Search (5x, 15x, 60x), Reverse Search (5x, 15x, 60x), Forward Frame Advance, Reverse Frame Advance, Record Review, Clip Jump (Forward and Backward), Skip Playback
Playback Functions: Inter-Media Copy (Single Clip, All Clips, Last Clip); Clip Delete (Single Clip, All Clips, Last Clip)
Still Image Playback: Index, Single Playback, Erasure, Protect
Frame Rates 50 Mb/s: 1920 x 1080
Record Rate: 1-30 fps (Playback Rate: 29.97p/23.98p/24.00p)
Record Rate: 1-25 fps (Playback Rate: 50i/25p)

50 Mb/s: 1280 x 720
Record Rate: 1-60 fps (Playback Rate: 59.94p/29.97p/23.98p/24.00p)
Record Rate: 1-50 fps (Playback Rate:50p/25p)

35 Mb/s: 1920 x 1080
Record Rate: 1-30 fps (Playback Rate: 29.97p/23.98p/24.00p)
Record Rate: 1-25 fps (Playback Rate: 50i/25p)

35 Mb/s: 1280 x 720
Record Rate: 1-60 fps (Playback Rate: 59.94p/29.97p/23.98p/24.00p)
Record Rate: 1-50 fps (Playback Rate:50p/25p)

25 Mb/s: 1440 x 1080
Record Rate: 1-30 fps (Playback Rate: 29.97p/23.98p)
Interval Recording Interval can be set in 25 levels ranging from 1 second to 10 minutes (1/2/3/4/5/6/7/8/9/10/15/20/30/40/50 sec; 1/2/3/4/5/6/7/8/9/10 min)
NTSC 59.94i/29.97p/23.98p/24.00p: Selectable between 1, 3, 6, 9 frames
NTSC 59.94p: Selectable between 2, 6, 12 frames
PAL 50i/25p/50p: Selectable between 2, 6, 12 frames
Frame Record NTSC 59.94i/23.98p/24.00p: Selectable between 1, 3, 6, 9 frames
NTSC 59.94p: Selectable between 2, 6, 12 frames
PAL 50i/25p/50p: Selectable between 2, 6, 12 frames
Pre-Record Buffer 3 sec cache (video & audio)
Still Capture 1920 x 1080 images captured to SD card
Custom Picture 23 custom picture settings
A total of nine 9 customized pictures are available in the camera and up to 20 can be saved to an SD card

Custom pictures CP7, CP8 and CP9 ship with the following preset:
C7: Video.C - Intended for recording media for playback on consumer TVs. The setting minimizes noise in the dark areas and improves contrast by tightening up on black
C8: Cine.V - Suited for giving recorded media a film tone
C9: Cine.F - Used for when recorded media will be transferred to film
Custom Function 9 total functions available
Assignable Buttons 15; can be assigned from among 30 functions
Color Bars Color bars compliant with SMPTE, EBU, or ARIB standards can be selected
Dynamic Range Up to 800% with Canon Log gamma and ISO 850 (+2.5 dB) and above
Minimum Illumination Full Auto Mode: Not specified by manufacturer Manual Mode: Not specified by manufacturer
Video Outputs HD/SD-SDI: 1x BNC (output only), with embedded audio
HD 4:2:2 (YCbCr) 1920 x 1080: 60i/50i, 1280 x 720: 60p/50p
SD 4:2:2 (YCbCr) 640 x 480: 60i/50i
NTSC 480i/PAL 576i: Compliant with SMTPE 259M
Embedded Audio: Compliant with SMTPE 272M
Time Code Standard: (VITC/LTC) SMTPE 12M
HD-SDI: (Compliant with SMTPE 292M)
1080i/720p: Compliant with SMTPE 292M
Embedded Audio: Compliant with SMTPE 299M
Time Code Standard: (VITC/LTC) SMTPE 12M
Composite: 1x BNC (same as above)
HDMI: 1x Type A

Headphone Connector 3.5mm stereo mini-jack
Genlock BNC (input only)
Adjustment Range: -1023 to +1023
Timecode BNC (input/output)
Drop Frame (DF) and Non-Drop Frame (NDF)
Time Code Modes: Regen, Record Run, Free Run, and External Source
Sync BNC connector (output)
HD tri-level signal (HD Sync)
HD-Y signals (HD-Y)
Black Burst signal
Composite
Remote 2.5mm LANC-compatible terminal
Wi-Fi WFT terminal for compatible Wi-Fi accessory
Power Supply 7.4V DC (battery pack), 8.4V DC (DC input)
Operating Temperature Performance: 32 to 104°F (0 to 40°C), 85% relative humidity
Operation: 23 to 113°F (-5 to 45°C), 60% relative humidity
Dimensions (WxHxD) EOS C300 EF + Thumb Rest: 5.2 x 7.0 x 7.0" (133 x 179 x 177mm)
EOS C300 EF + Grip: 6.9 x 7.0 x 7.0" (174 x 179 x 177mm)
Camera + Monitor: 7.3 x 9.8 x 7.4" (185 x 249 x 187mm)
Camera + Handle + Monitor: 7.3 x 11.2 x 11.9" (185 x 284 x 301mm)
Weight (without Lens) EOS C300 EF: 3.6 lb (1.63 kg)
Grip: 8.1 oz (230 g)
Monitor Unit: 1.4 lb (620 g)
Handle Unit: 6.3 oz (180 g)
Thumb Rest: 0.35 oz (10 g)
BP-955 Battery: 7.8 oz (220 g)
Attachment Fitting: 0.32 oz (9 g)
2x CF Cards (not included): 0.63 oz (18 g)
Measure Hook: 0.11 oz (3 g)
Body Cap, Camera Cover (either type): 0.63 oz (18 g)
EOS C300 PL with Grip, Monitor, BP-955 & 2x CF Cards: 6.0 lb (2.72 kg)
EOS C300 PL with Grip, Monitor, Handle, BP-955 & 2x CF Cards: 6.4 lb (2.90 kg)
Packaging Info
Package Weight 13.7 lb
Box Dimensions (LxWxH) 13.8 x 11.9 x 11.8"

Canon 24-105mm F/4.0
Performance
Focal Length 24 - 105mm
Aperture Maximum: f/4
Minimum: f/22
Camera Mount Type Canon EF
Format Compatibility 35mm Film / Full-Frame Digital Sensor
Angle of View 84° - 23° 20'
Minimum Focus Distance 17.72" (45 cm)
Magnification 0.23x
Maximum Reproduction Ratio 1:4
Optical Design 18 Elements in 13 Groups
Diaphragm Blades 8, Rounded
Features
Image Stabilization Yes
Autofocus Yes
Physical
Filter Thread Front: 77 mm
Dimensions (DxL) Approx. 3.29 x 4.21" (83.5 x 107 mm)
Weight 1.47 lb (670 g)
Packaging Info
Package Weight 2.25 lb
Box Dimensions (LxWxH) 7.9 x 6.3 x 5.4"

UKLJUČUJE:

Canon Cinema EOS C300 EF Camcorder Body (EF Lens Mount)
Monitor Unit
Handle Unit
BP-955 Intelligent Lithium-Ion Battery Pack (5200 mAh)
CA-940 Compact Power Adapter for EOS C300 & C300 EF Camcorders
CG-940 Battery Charger
Eye Cup
Viewfinder Cap
Thumb Rest
TB-1 Tripod Adapter Base
WFT Attachment
Measuring Hook
2 x AC Cable
DC Cable (for CA-940)
Shoulder Strap SS-1200
XF Utilities Disc Version 3.0
Canon EF 24-105mm f/4L IS USM Lens
E-77 II 77mm Lens Cap
Lens Dust Cap E (Rear)
EW-83H Lens Hood
LP1219 Soft Lens Case